Geometries of bewilderment. The eternal house of writers. Returning again and again.

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The inability to speak, when you want to; the choice to not speak, when you can.

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Wordlessness. arrow_right_alt

The meaning of economy; the preservation and renewing of value as a form of resistance.

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Polar night at the dream house; learning to see something where I used to see nothing; the task of carrying the empty place.

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Dream borders and dream houses.

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The dialogue between myself and a space I'm learning to inhabit. Inclinations & tendencies of different shelled creatures. arrow_right_alt

Queer time and failure; queer time and its asynchrony, asymmetry, cyclicality.

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Queerness and being set adrift from known narratives. The sadness of genes.

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The origins of restlessness. Wandering as a calling and a home. Spaceships and blanket forts.

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The surrender in becoming oneself. Ordinary devotion.

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I've never felt, about anything I was writing, the way I feel about the letters I write to you. It's one of those feelings that confounds any easy or convenient language, any of the prefabricated phrases we have for talking about feelings.

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Here is a question. How can we justify choosing to make art, when we could be saving lives, saving the planet, or doing other work that seems more important or urgent?

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How can your participation in the infinite game not be bounded by your lifetime? Also, the role of surprise.

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I want to introduce one more new concept: the game.

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